Portrait Painter

Portrait Painter
  1. Portrait Painter Sir Peter Crossword
  2. Portrait Painter Samuel
  3. Portrait Painter Sir Peter Crossword

Portrait Painting and Drawing. A portrait painting or drawing depicts the image of a particular person or animal, or group thereof. The subject of a portrait is usually called a 'sitter', because traditionally people would sit in front of the artist to have their portrait painted. The painting is absolutely amazing!! The painting was a surprise Christmas gift for my husband. There was not a dry eye in the house once everyone saw the painting. Thank you PortraitFlip, for this special piece that will help us keep the memory of these 2 special dogs!! Heather Pearson/ Kentuky,US. Portrait Painter is a professional painting tool that automatically creates a finely painted gallery- style portrait from any image or snapshot then adds color, light and texture, which harmonize intelligently.

Article

Portrait Painter Auto paint a gallery-style portrait on linen or canvas JixiPix is proud to give you Portrait Painter a revolutionary paint product that simulates a hand painted gallery-style portrait on fine linen or canvas. Portrait Painter Auto paint a gallery-style portrait on linen or canvas JixiPix is proud to give you Portrait Painter a revolutionary paint product that simulates a hand painted gallery-style portrait on.

Please select which sections you would like to print:

Portrait Painter Sir Peter Crossword

While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.

Our editors will review what you’ve submitted and determine whether to revise the article.

Join Britannica's Publishing Partner Program and our community of experts to gain a global audience for your work! The Editors of Encyclopaedia Britannica
Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree..

Portrait Painter Samuel

Alternative Title: “La Gioconda”

Mona Lisa, also called Portrait of Lisa Gherardini, wife of Francesco del Giocondo, Italian La Gioconda, or French La Joconde, oil painting on a poplar wood panel by Leonardo da Vinci, probably the world’s most famous painting. It was painted sometime between 1503 and 1519, when Leonardo was living in Florence, and it now hangs in the Louvre Museum, Paris, where it remained an object of pilgrimage in the 21st century. The sitter’s mysterious smile and her unproven identity have made the painting a source of ongoing investigation and fascination.

Who was the Mona Lisa in real life?

There has been much speculation and debate regarding the identity of the Mona Lisa’s sitter. Scholars and historians have posited numerous possibilities, including that she is Lisa del Giocondo (née Gherardini), wife of the Florentine merchant Francesco di Bartolomeo del Giocondo—hence the alternative title to the work, La Gioconda. That identity was first suggested in 1550 by artist biographer Giorgio Vasari.

Painter

How many years did it take to paint the Mona Lisa?

Leonardo da Vinci began painting the Mona Lisa in 1503, and it was in his studio when he died in 1519. He likely worked on it intermittently over several years, adding multiple layers of thin oil glazes at different times. Small cracks in the paint, called craquelure, appear throughout the whole piece, but they are finer on the hands, where the thinner glazes correspond to Leonardo’s late period.

Where is the real Mona Lisa kept?

The Mona Lisa hangs behind bulletproof glass in a gallery of the Louvre Museum in Paris, where it has been a part of the museum’s collection since 1804. It was part of the royal collection before becoming the property of the French people during the Revolution (1787–99).

What is the value of the Mona Lisa?

The Mona Lisa is priceless. Any speculative price (some say over a billion dollars!) would probably be so high that not one person would be able or willing to purchase and maintain the painting. Moreover, the Louvre Museum would probably never sell it. The museum attracts millions of visitors each year, most of whom come for the Mona Lisa, so a steady stream of revenue may be more lucrative in the long run than a single payment. Indeed, the museum considers the Mona Lisa irreplaceable and thus spends its resources on preventive measures to maintain the portrait rather than on expensive insurance that can only offer mere money as a replacement.

Get the latest news. If you would li ke to stay in the loop and receive more updates, simply add your email below! If you would li ke to stay in the loop and receive more updates, simply add your name and email below! 1,561 Followers, 41 Following, 116 Posts - See Instagram photos and videos from Cuptakes® (@cuptakes). Cached.

Why is the Mona Lisa so famous?

Many theories have attempted to pinpoint one reason for the art piece’s celebrity, including its theft from the Louvre in 1911 and its tour to the U.S. in 1963, but the most compelling arguments insist that there is no one explanation. The Mona Lisa’s fame is the result of many chance circumstances combined with the painting’s inherent appeal.

PaintersPortrait painter rembrandt nyt crossword

Subject

The painting presents a woman in half-body portrait, which has as a backdrop a distant landscape. Yet this simple description of a seemingly standard composition gives little sense of Leonardo’s achievement. The three-quarter view, in which the sitter’s position mostly turns toward the viewer, broke from the standard profile pose used in Italian art and quickly became the convention for all portraits, one used well into the 21st century. The subject’s softly sculptural face shows Leonardo’s skillful handling of sfumato (use of fine shading) and reveals his understanding of the musculature and the skull beneath the skin. The delicately painted veil, the finely wrought tresses, and the careful rendering of folded fabric demonstrate Leonardo’s studied observations and inexhaustible patience. Moreover, the sensuous curves of the sitter’s hair and clothing are echoed in the shapes of the valleys and rivers behind her. The sense of overall harmony achieved in the painting—especially apparent in the sitter’s faint smile—reflects Leonardo’s idea of the cosmic link connecting humanity and nature, making this painting an enduring record of Leonardo’s vision. In its exquisite synthesis of sitter and landscape, the Mona Lisa set the standard for all future portraits.

There has been much speculation and debate regarding the identity of the portrait’s sitter. Scholars and historians have posited numerous interpretations, including that she is Lisa del Giocondo (née Gherardini), the wife of the Florentine merchant Francesco di Bartolomeo del Giocondo, hence the alternative title to the work, La Gioconda. That identity was first suggested in 1550 by artist biographer Giorgio Vasari. Another theory was that the model may have been Leonardo’s mother, Caterina. That interpretation was put forth by, among others, Sigmund Freud, who seemed to think that the Mona Lisa’s mysterious smile emerged from a—perhaps unconscious—memory of Caterina’s smile. A third suggestion was that the painting was, in fact, Leonardo’s self-portrait, given the resemblance between the sitter’s and the artist’s facial features. Some scholars suggested that disguising himself as a woman was the artist’s riddle. The sitter’s identity has not been definitively proven. Numerous attempts in the 21st century to settle the debate by seeking Lisa del Giocondo’s remains to test her DNA and recreate an image of her face were inconclusive.

History

Leonardo da Vinci began painting the Mona Lisa about 1503, and it was in his studio when he died in 1519. He likely worked on it intermittently over several years, adding multiple layers of thin oil glazes at different times. Small cracks in the paint, called craquelure, appear throughout the whole piece, but they are finer on the hands, where the thinner glazes correspond to Leonardo’s late period.

Get a Britannica Premium subscription and gain access to exclusive content. Subscribe Now

French King Francis I, in whose court Leonardo spent the last years of his life, acquired the work after the artist’s death, and it became part of the royal collection. For centuries the portrait was secluded in French palaces, until insurgents claimed the royal collection as the property of the people during the French Revolution (1787–99). Following a period hanging in Napoleon’s bedroom, the Mona Lisa was installed in the Louvre Museum at the turn of the 19th century.

Portrait Painter Sir Peter Crossword

Painter

In 1911 the painting was stolen, causing an immediate media sensation. People flocked to the Louvre to view the empty space where the painting had once hung, the museum’s director of paintings resigned, and the poet Guillaume Apollinaire and artist Pablo Picasso were even arrested as suspects. Two years later an art dealer in Florence alerted local authorities that a man had tried to sell him the painting. Police found the portrait stashed in the false bottom of a trunk belonging to Vincenzo Peruggia, an Italian immigrant who had briefly worked at the Louvre fitting glass on a selection of paintings, including the Mona Lisa. He and possibly two other workers had hidden in a closet overnight, taken the portrait from the wall the morning of August 21, 1911, and run off without suspicion. Peruggia was arrested, tried, and imprisoned, while the Mona Lisa took a tour of Italy before making its triumphant return to France.

During World War II the Mona Lisa, singled out as the most-endangered artwork in the Louvre, was evacuated to various locations in France’s countryside, returning to the museum in 1945 after peace had been declared. It later traveled to the United States in 1963, drawing about 40,000 people per day during its six-week stay at the Metropolitan Museum of Art in New York City and at the National Gallery of Art in Washington, D.C. It also toured to Tokyo and Moscow in 1974.

Condition

Scholars have noted that the Mona Lisa is in fairly good condition for its age. The poplar panel shows some evidence of warping from resistance to its original frame and to braces added by early restorers. To prevent the widening of a small crack, visible near the centre of the upper edge of the painting, dovetails were added to the back of the painting. Restorers later pasted heavy canvas over the crack and replaced the top dovetail.

The glass protecting the Mona Lisa was replaced with a bulletproof case after several attacks in 1956, one of which damaged an area near the subject’s left elbow. The Mona Lisa thus escaped harm from acts of vandalism in 1974 during the work’s visit to Tokyo and in 2009 when a museumgoer threw a ceramic mug at it.